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Prada III. 1998 . Official website of the photographer and artist Andreas Gursky.Official website of the photographer and artist Andreas Gursky.Prada III. 1998 . Official website of the photographer and artist Andreas Gursky.Official website of the photographer and artist Andreas Gursky.
Emerging from the renowned Düsseldorf School in the late 1980s, Andreas Gursky was pivotal in creating a new standard in contemporary photography, a pioneer who furthered the possibilities of scale and ambition. His massive, clinical, and distanced surveys of public spaces, landscapes, and structures contributed to a new art of picture taking .Date: 1996. Medium: Chromogenic print. Dimensions: Image: 65 in. × 10 ft. 4 13/16 in. (165.1 × 317 cm) Framed: 65 in. × 10 ft. 4 in. (165.1 × 315 cm) Classification: Photographs. Credit Line: Promised Gift of Ann Tenenbaum and Thomas H. Lee, .
Andreas Gursky is a renowned German photographer, famous for his large format images that vividly capture the scale and essence of our contemporary society. His methodical approach and visually powerful aesthetic make him one of the most influential artists in contemporary photography.View Andreas Gursky’s 1,136 artworks on artnet. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. See available photographs, prints and multiples, and design for sale and learn about the artist.Andreas Gursky. Prada III, 1998. Chromogenic colour-print. 49 1/5 × 103 9/10 in | 125 × 264 cm. Edition of 6. Part of a. limited edition set. Sold. Create Alert. Contact Gallery. Gallery Red. Palma, Palma de Mallorca. Want to sell a work by this artist? Sell with Artsy. Artist Series.
Deftly laminating the luminous skies of Baroque Low Country painting, the Romantic theme of the windowed view, and the abstraction of De Stijl, Gursky gives us a landscape layered with nostalgia, structured by modernism, and sealed behind glass—an expansive yet neatly delimited vista for human transport. Gursky, after a series of early landscapes, began to depict the nodes and epicenters of the fast-changing global economy, whether a Prada store, a Shanghai hotel, or a Chicago stock exchange: all.
The aim of this article is to shift the emphasis from these arguments on the significance of the new technology in Gursky's oeuvre to a much more important role technology plays in his works, namely, in their aesthetics.Prada III. 1998 . Official website of the photographer and artist Andreas Gursky.Official website of the photographer and artist Andreas Gursky.
Emerging from the renowned Düsseldorf School in the late 1980s, Andreas Gursky was pivotal in creating a new standard in contemporary photography, a pioneer who furthered the possibilities of scale and ambition. His massive, clinical, and distanced surveys of public spaces, landscapes, and structures contributed to a new art of picture taking .Date: 1996. Medium: Chromogenic print. Dimensions: Image: 65 in. × 10 ft. 4 13/16 in. (165.1 × 317 cm) Framed: 65 in. × 10 ft. 4 in. (165.1 × 315 cm) Classification: Photographs. Credit Line: Promised Gift of Ann Tenenbaum and Thomas H. Lee, . Andreas Gursky is a renowned German photographer, famous for his large format images that vividly capture the scale and essence of our contemporary society. His methodical approach and visually powerful aesthetic make him one of the most influential artists in contemporary photography.
View Andreas Gursky’s 1,136 artworks on artnet. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. See available photographs, prints and multiples, and design for sale and learn about the artist.Andreas Gursky. Prada III, 1998. Chromogenic colour-print. 49 1/5 × 103 9/10 in | 125 × 264 cm. Edition of 6. Part of a. limited edition set. Sold. Create Alert. Contact Gallery. Gallery Red. Palma, Palma de Mallorca. Want to sell a work by this artist? Sell with Artsy. Artist Series.Deftly laminating the luminous skies of Baroque Low Country painting, the Romantic theme of the windowed view, and the abstraction of De Stijl, Gursky gives us a landscape layered with nostalgia, structured by modernism, and sealed behind glass—an expansive yet neatly delimited vista for human transport. Gursky, after a series of early landscapes, began to depict the nodes and epicenters of the fast-changing global economy, whether a Prada store, a Shanghai hotel, or a Chicago stock exchange: all.
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